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Kebyar duduk is a Balinese dance created by I Mario and first performed in 1925. Inspired by the development of the quick-paced gamelan gong kebyar, kebyar duduk is named for the seated and half-seated positions taken by the dancers. It does not convey a story, but is interpretative. ==History== The kebyar duduk dance was first performed in 1925 and designed by I Ketut Marya (better known in the West as I Mario) of Tabanan, Bali. In designing the kebyar duduk dance, I Mario was influenced by recent innovations in Balinese gamelan which allowed interpretation of the music as well as a fast tempo. This development, known as the gamelan gong kebyar, was manifested early on in legong dances (specifically, kebyar legong) from which I Mario drew his inspiration. I Mario later developed the dance further, adding long instruments with inverted kettle gongs known as ''trompong''; this form is known as kebyar trompong, though the original kebyar duduk remains I Mario's most famous creation. I Mario taught his students how to dance kebyar duduk, and thus it proliferated throughout Bali. One such student, I Wayan Badra, performed for President Sukarno in the 1950s. By 2004 the dance was becoming rare, but its popularity increased, such that in 2011 a competition for dancing kebyar duduk and one of Mario's other creations, oleg tamulilingan (1952), was held. Around this time a group of Tabanan residents argued that the dance had shifted far from I Mario's original vision, and began teaching what they considered to be the "original" version. Kebyar duduk was performed internationally as early as 1931, when a troupe which may have included I Mario or an early disciple performed it as part of a set (also including legong, barong, and baris) at the Paris Colonial Exposition. Video of I Mario performing kebyar duduk was included in the documentary ''Learning to Dance in Bali'', which was completed by Gregory Bateson and Margaret Mead in the 1930s but first released in 1991. The name ''kebyar duduk'' is derived from the way in which the dance is performed: the dancers movements are almost all completed while in an almost seated position (''duduk''). It is classified as an ''alus'' ("refined") dance, as opposed to the ''keras'' ("unrefined") forms such as the baris war dance. 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Kebyar duduk」の詳細全文を読む スポンサード リンク
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